Hubeau Trumpet Sonata Pdf 22

Hubeau Trumpet Sonata Pdf 22





             

Hubeau Trumpet Sonata Pdf 22


The student is introduced to the Principal Strophes, with an extensive and detailed commentary. In the last three pieces, the student is familiarized with the Solovie. The first movement is the Caprice Op. 15, No. 7. The theme is introduced by the Trumpet in the first bar of the second line, and immediately taken up by the Pianist. The second movement is the Mazurka Op. 19, No. 13. It begins in the tonic, the second in the dominant. The Theme is taken up by the Trumpet on the sixth beat of the first, eighth, ninth, and thirteenth bars. The third movement is the Polonaise Op. 41, No. 1.

This score is for solo trumpet and a piano reduction. It includes fingering in treble and bass clefs and has a fingering guide. It will not only improve your solo trumpet playing but your whole musicianship. This is a unique new edition for 2016!
R.L. Willard Productions, Inc. is a family-owned and operated company that specializes in creating sheet music and other educational materials for music educators and students of all ages. We have been committed to providing high-quality educational and instructional materials for over 40 years. Every year we work to provide teachers and students with a variety of new and updated materials that can be used for fun, creativity, motivation, and learning.

The arranger’s edition of Vincent d’Indy’s Sinfonia Concertante for Trumpet and Orchestra is the first edition of this composers wonderful work to be published in English. Included is the original trumpet writing, a new and exciting trumpet arrangement, and a rhythm section for piano, harp, violin, and cello.




Daniel explained, “I really appreciate what Dmitry has done with this work. He makes it his own in a genuine way, and his performance is therefore quite absorbing.” Next, Daniel played the second movement of Mozart’s Bb Violin Concerto in C major, K. 238, and the first movement of the Sonata for Solo Flute and Piano by the Japanese composer Tsuneyoshi Harada. With Daniel and associate Joe Lapotka conducting, Harada’s sonata set out with the solo flute proclaiming the melody of its main theme over what turned out to be a bold and energetic performing, backed by the piano, which provided both depth and clarity. The two movements concluded with the classical sonata-form finale, replete with its timbral clashing and interplay between the soloist and the orchestra. For the second half of the concert, Daniel performed two compositions by French jazz violinist and composer Sylvain D’Eon. He began with Cantiques pour Voix (Songs for Voice), by the 16th century French composer Jacques Arcadelt. Lively textures and a lot of color characterized D’Eon’s performance. Daniel explained that “This is the last of the three ‘cantiques’ by Arcadelt, a collection of mostly songs for voice and instruments, including a trumpet. This piece is instrumental and has a lighter mood than the other two.” Next, Daniel brought out assistant professor in trumpet Lawrence Silverman for a French dance-band arrangement of the trumpet solo from the International Jazz Festival in Nice by the French composer, Aletrece Deschamps. Called L’Air de charlotte (Air of Charlotte), the piece is based on the traditional “Air de chasselas” for solo trumpet. Daniel said that the arrangement is beautiful and transparent. Daniel dedicated the second part of the concert to music from the West, with him performing the second movement from each of the three solo harpsichord works by Jean de Casalis (J.C. 1685): Tombeau de musique (Memento mori), Op. 86; Le Christianisme et les arts; Le Triomphe de la Musique (The Triumph of Music) Op. 135. What began as an exercise on the harpsichord soon reveals an imaginative orchestral combination of unusual sonorities, while the texts echo themes from Donizetti’s early Opera, Francesca di Foix. 5ec8ef588b


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